Why you can trust TechRadar
We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.
This is a spoiler-free review of all 12 episodes of Andor season 2.
There’s no question that Andor season 2 is one of my most anticipated shows of 2025. Ever since Disney announced the release date for Andor‘s second and final season last November, I’ve been counting down the days until the critically acclaimed show’s return.
In the two and a half years since the Star Wars TV series’ first season ended, my excitement levels have only grown. That could’ve presented a problem if, like many a crashed starship in the famous galaxy far, far away it inhabits, the political spy thriller didn’t stick the landing with its second and final installment.
Join me in breathing a sigh of relief, then, that it does. Andor season 2 is a near-masterpiece that, a couple of faults aside, cements the show’s position as the best piece of Star Wars live-action media since the original movie trilogy.
Rebel leaders, standing by
Initially picking up events after its predecessor’s finale, Andor season 2 takes a different storytelling approach to the Disney+ series’ first outing.
Where season 1 followed its ensemble cast across a single year, this season’s 12-episode run is divided into four trilogy-style events. Each three-episode block depicts a specific event within the four years leading into Rogue One: A Star Wars Story – the 2016 film that connects Andor to Star Wars Episode IV: A New Hope.
Andor season 2 is… the best piece of Star Wars live-action media since the original movie trilogy
Previously described as “very sexy” time jumps by showrunner Tony Gilroy, episodes 1 to 3 cover three days, four years before Rogue One happens. Then, chapters 4 to 6 depict a week-long event three years out from the aforementioned movie. Next, entries 7 to 9 tackle a 14-day period two years before the Gareth Edwards-directed flick. Finally, episodes 10 to 12 take place in the five days leading up to Rogue One.
With both seasons reportedly costing an eye-watering $645 million, it’s clear Disney, which has tightened the purse strings during Bob Iger’s second stint as CEO, wanted to wrap up this expensively-assembled program.
That’s bad news for fans who loved Andor‘s first season and craved more of its thrilling, character-driven storytelling. It also presented a creative conundrum for Gilroy and company to overcome – how to cram four seasons’ worth of character evolution and plot progression into a dozen episodes.
Some teething problems in season 2’s first act notwithstanding, it’s a storytelling approach that, hesitant though I was over how well it’d work, I actually warmed to. Sure, season 2 is fast-paced at times (I’ll get into this more later as part of my wider criticism of this season), but the beauty of its four-year cycle is its ability to show the ever-evolving nature of the show’s key relationships at annual intervals.
Be it friendships, romances, uneasy alliances, or another type of interpersonal dynamic, season 2’s multi-year plot approach – one largely devoid of filler material – highlights the rollercoaster ride that each one goes on.
Sure, character dynamics can change within TV show seasons whose events play out over weeks and months rather than years. It’s a process that worked wonders for Andor‘s first season, but armed with its multi-year format, the series’ sophomore outing not only demonstrates how its tentpole moments impact these relationships but also the in-flux nature of its core dynamics in all of their soul-stirring, melodramatic, and tear-jerking glory.
The beauty of this season’s four-year cycle is how it showcases the ever-evolving nature of the show’s key relationships
Predictably, a lot of the shifting dynamics revolve around Cassian Andor (Diego Luna). As the show’s titular character, season 2 takes a purposeful approach to examining the ebb and flow of his personal associations.
Indeed, there’s underlying tension, occasional levity, and soul-piercing drama to the bonds he shares with those he’s closest to and works for, as well as clear affection and/or respect amid the oft-times messiness of these dynamics. Understandably, that includes ones he has real stakes in, with Bix (Adria Arjona), Luthen Rael (Stellan Skarsgård), Wilmon (Muhanned Bhair), and, as confirmed by an appearance in Andor season 2’s first trailer, his eventual android bestie K-2SO.
That said, while the series bears his name, season 2 is as much, if not more so, an ensemble piece than its predecessor was. (By the way, it’s worth watching the season 1 finale again, or streaming last season’s 14-minute recap, to refamiliarize yourself with the sheer number of characters in the show. My head was spinning throughout season 2’s opening salvo as I tried to remember who everyone was, what they were doing, and where they were!)
Fascinated though I was by Cassian’s relationships with some of Andor season 2’s cast, I found myself more hooked by the politically dicey dynamics involving Mon Mothma (Genevieve O’Reilly), who’s arguably this season’s stand-out. She’s certainly the most interesting character in season 2’s first act and, spoilers notwithstanding, episode 9 fully cements O’Reilly’s place as one of the finest actors to grace the Star Wars universe.
The engrossingly uncomfortable dynamic between Galactic Empire officers Dedra Meero (Denise Gough) and Syril Karn (Kyle Soller) that slithers with reptilian delight, plus the compelling expansion of Luthen’s fraught surrogate-style relationship with Kleya (Elizabeth Dulau), are equally worthy of praise. I never tired of seeing these particular dynamics play out and, given another season or three, I’m sure they would’ve been even more intoxicating to watch.
Heirs to the Empire
Season 2 successfully navigates its expansion of, and call backs to, the wider Star Wars galaxy, too.
There is, despite what Gilroy previously suggested, some character and plot-based winks to the camera, but they’re not as egregious as references in other Star Wars projects.
In fact, whether it’s the return of Rogue One‘s main villain Orson Krennic (Ben Mendelsohn), who steals scenes with his terrifying unpredictability, or subtle nods to Star Wars Episode III: Revenge of the Sith and Rogue One itself, they’re easily forgivable inclusions that actually enhanced my viewing experience.
The addition of new worlds also expands on the grandeur of Lucasfilm’s vast galaxy, which the Galactic Empire dominates during this time. The live-action debut of one planet is especially key as it allows for the exploration of an emotionally devastating event that should also clear up fan confusion over said incident’s Star Wars canonicity.
I won’t tease much else about it for those with little knowledge of wider Star Wars lore. Believe me when I say, though, that season 2 episode 8, which showcases this event in such soul-crushing fashion, might be the best – if that’s the right word to use – chapter since the season 1 finale. If nothing else, it certainly rivals last season’s 12th episode for sheer emotional impact, and I’m not afraid to admit that I shed a tear or two as its end credits rolled.
Season 2 episode 8… rivals last season’s 12th episode for sheer emotional impact
If there was a problem with one of the best Disney+ shows’ final season – and this might slightly contradict what I wrote earlier – it’s the condensed and at times rushed feel of some of its four acts.
I appreciate it’s been a costly endeavor for Disney. I also understand that showrunner Tony Gilroy had the unenviable task of compressing four seasons’ worth of content into the show’s last installment. So, the fact that he achieved this seemingly impossible task should be applauded.
Still, the sheer number of narrative hoops that season 2 has to jump through, the quick-paced nature of some three-episode events, and the occasional sidelining of important supporting characters make this season feel a tad scattershot in its storytelling approach.
Act 1, for instance, feels largely untethered and tonally different from its fellow volumes. The severe cuts between scenes are often jarring, while the lack of narrative and character-based pay-off delivers an abrupt end to season 2’s opening three-part chapter. It comes across as a standalone trilogy that feels out of place among its brethren.
It’s not the only act marred by niggling issues. Act 4 is more closely connected to acts 2 and 3 than act 1 is, and plays the role of direct link to Rogue One. However, it’s a little on the short side, and I’ll admit I was expecting a bit more suspense or shock value in a three-parter where the Rebel Alliance finally learns about the Death Star.
Don’t get me wrong, some moments are genuinely thrilling, dramatic, action-packed, and heart-wrenchingly sad, and I certainly wasn’t unsatisfied with how season 2 ends. Indeed, its final scene will make you view Rogue One in a whole different light. I just think that, with a few extra minutes here and there, act 4 would’ve been even better than it was.
My verdict
Watch On
Andor season 2 is a devastating and epic tour de force – one filled of potent political drama, weighty ethical dilemmas, and captivating character introspection – that rebels against the notion that Star Wars is a dead franchise walking.
In my view, nothing comes as close to matching the awe, shock value, and prestige nature of the original films – which turned Lucasfilm’s iconic sci-fi universe into the powerhouse franchise it is today – as this epic and expertly crafted show.
Would it be even better as a three-season event (a Star Wars trilogy, you say?) comprising eight episodes apiece to fully explore its characters, their dynamics, the impact of their decisions, and help things feel less rushed? Yes, but this is the hand that Gilroy and company were dealt, and there’s no debate that they’ve pulled off an almighty task in making one of 2025’s new Star Wars shows as breathtakingly good as it is.
In my Andor season 1 review, I labeled it “a blood-pumping spy thriller that might be the best Star Wars shows yet”. Now, I’d replace “might be” with “is”. If Disney learns anything from Andor, it’s that there’s an entire galaxy’s worth of more mature, creative, and original stories that deserve to be explored.
The question now is: will the House of Mouse be brave enough to pursue similar ideas? If it does and they’re as good, if not better, than Andor, I’ll be a Star Wars devotee for a long time yet.
Andor season 2 launches with a three-episode premiere on Tuesday, April 22 (US) and Wednesday, April 23 (UK and Australia). Three new episodes arrive each week until the show’s finale in mid-May.
Leave a Comment
Your email address will not be published. Required fields are marked *